Interviews and Articles
As roles and responsibilities become blended and
integrated for artists, galleries, and institutions
in the art world, artists are expected to take a
more proactive approach to become involved
and market themselves. As an artist you are more
likely to have interest by making yourself fully
accessible; building networks and interacting with
your audience is key.
The process of combing through the imagery and figuring out ways to manipulate it in order to make it relevant to us today, not in a literal sense, but a broad human sense, is something I’m trying to do. Art has always been a lens to look at what has happened in history to humanity in a more subjective, emotional, or ethereal way. So I don’t see what I’m doing by collecting and choosing to paint these images as any different than that. It’s just adding on to their documentation.
The important thing for me is movement. When you work on this big size, you have to physically move around the surface. It feels like a dancer moving their body. When I start, I don't have any ideas. The movement evolves into something else like shapes and composition. I start from a place of calmness, and don't seek to express immediate emotions.
A lot of what I'm doing today is about different approaches to mark making. It becomes all about tempo, rhythm, and composition. I think of my paintings more like songs. In a song, you can't play 1/8 notes the whole time. In some of my older paintings, I used a paint scraper and moved it across the canvas at different speeds. At a certain point, I step back and pause to look before I begin again.